is this the temple whose building was prompted by some earthbound peasant inquiring of Odysseus why he was carrying on his shoulder a winnowing staff or whether it was the blade of a windmill never having seen an oar
for here is a place where libations to Poseidon must abound should he wander so far inland as to work up a thirst among these followers who know not the sea
a building with many secrets and more bricks than windows in between lives, it seems with a little glass left in the ghosts of old windows but mostly boarded up waiting still
Tyson Yunkaporta points this pattern out as one of the fundamental, universal patterns. If I recall correctly, Joseph Rael incorporates this pattern in his description of reality. In the context of Creative Community I recognize it as the ripple response from a stone (or a rain drop) dropping into water. As a gardener I recognize it as the growth pattern of a rhizome left alone for many years. As a would-be mycologist and faerie fancier I recognize it as the pattern of a faerie ring. Any infant would recognize this pattern, as would any navel gazer…
I have been opening my perception to new iterations of patterns I know over the past week or so, as well as to patterns I don’t know yet, or haven’t recognized. Patterns are helpful in navigating change, as the pattern can be an anchor, something that remains constant even as the circumstances change – from cast iron in concrete to spray paint on dry laid brick.
I’ve slept a lot in the past week – between 9 and 14 hours for four nights in a row – and stayed in bed a good hour after waking almost every day. I’ve not done much. It hasn’t always felt great, but it has been great. One morning I woke up at 5:00 am with so much on my mind I alternated between speaking into my digital voice recorder and nodding off again for over an hour before going back to sleep. Lots of foundational, ontological revelations.
Cicada’s lifecycle remains a constant metaphorical pattern I still use as a map during these times, knowing I’m in the liminal place between emerging from underground and actually taking flight. I’ve been pondering the question of what in my life and self and world constitute the ground I am leaving behind, and the exuvia I am leaving or about to be leaving behind. One of the phrases that came fully formed to me as I found myself awake with the recorder in my hand was this gravid affirmation:
Anything and everything I am clinging to pales in comparison to what I am becoming.
a home surrounded by new neighbors which, while they have been around now for years, are relative newcomers to this part of town
who lived here before these brutalist intrusions? where have they gone, and their families with them? the inexorable spread of the civilizing force ever robbing those of the least means of home and wealth and culture which are then distributed among those of the most means robbing from the poor to give to the rich no wonder Robin Hood was disliked by the gentry he was addressing a foundational feature of civilization an inconvenient truth that applies to all of us who contribute
one luminous puddle oblique to the increasing obliquity of the decreasing light available until the rising of the moon or summer evenings I suppose it’s always been this way at least as far back as I can remember
look how quickly life returns to the places where people have tried to keep it out after very little inattention and from the most improbably small opportunities – cracks, chinks fissures, openings – anything that will let in light and water, a tiny seed and then in the blink of an eye there is a tree where once just moments before there was only bare asphalt and Pan has returned triumphantly and almost as if he had never left…
shadow teeth and flaky plywood a coat of green asphalt with deepening relief a skin that calls to mind buildings half a world away living things rooted in, growing from its body transform this fairly simple building from a boarded up business into an array of shapes and textures – an unknown quantity a one eyed creature waiting quietly for the sun to go down
in dry weather with nothing flowing from the flat roof the drainpipes turn their attention to the heavens directly supplicating the sky for some sort of condensation to precipitate out and flow through them that the dry ground might revel in moisture and life continue to transpire
shimmering in the shadows as the sun descends just imagine this place glowing in the light of a rising sun rather than merely reflecting reflected light