The Looking Through Glass

© 2024 Matthew Word Bain, all rights reserved.
two eyes together yield depth 
one eye alone yields none

yet when I let mine eye be single
and not like Poseidon's son
but after the second
the one they call
the third -

the gate
in the brow
to greater depth
and the inner realms -

and gaze through the glass eye
that frames my vision
of the realms
outside

what does it reveal?

a depth of apparent illusion
as close as the far side of the glass
as it begins to melt away

glorious and rich
it nourishes me
like darkness

like something
only Alice can see

depth in the shallows
of a surface made mirror
by the angle of reflected light

This is the ninth pairing in Confluence, a series of poems written in response to original photographs.

I began writing these during the pandemic, using the pictures I was making at the time. I have continued this practice ever since, always writing in response to my most recent images.

I publish a new Confluence every new moon and every time the luminary dyad perfect a trine.

The Looking Through Glass Read More »

a space inviting

a space inviting 

Pastel clouds tonight, faint and in the distance.
The air is cool. Unusual.
I've spent most of this week indoors, growing furiously, hypogeal.
Stepping outside into the gloaming, the Magicicadae have given way to the katydid chorus.
I like this cooler weather.
Somehow the pressure I have been feeling (which has not been external, really)
is lessened with this dryer air and cooler day.
It's as if the pressure inside me has been given room to expand, out
into the ether. Homeostasis once more, temporarily, achieved.
Looking out across the coming days, now decompressed,
I see a subtle, vast potential, a space inviting emergent features.
I feel the possibility of continuing the journey home,
into my body, into myself.

Monday, 17 August 2020

This is the fifth poem in Les Mots sans Images, a series of original poems.

I post a new poem every waning quarter moon.



a space inviting Read More »

A Distant Temple

© 2024 Matthew Word Bain, all rights reserved.
even so close to the shore 
in such shallow water
and still

the depth is immense
as deep as the sky
and darker

in the shadows
reflections distorted
as through antique glass
darkly...

so hard to determine
where the sky ends
and water begins

the tug of the tide is so strong here
and in such fresh water
I wonder
is this the place?

where Odysseus polytropos,
turned all but inside out
by the god he angered,
came at last inland

far enough
to have his oar mistaken
for a winnowing fan
and so planted it

there
in the solid ground
that those who knew not
even the taste of salt on their food
might come to know the god of the sea

an offering
a final sacrifice
to propitiate the one
whose wrath had kept him
so long from finding his home

for here, at this place
reflection but momentary
lulls me

pulls me
under the current of thought
into realms of stillness
silence and
depth

This is the eighth pairing in Confluence, a series of poems written in response to original photographs.

I began writing these during the pandemic, using the pictures I was making at the time. I have continued this practice ever since, always writing in response to my most recent images.

I publish a new Confluence every new moon and every time the luminary dyad perfect a trine.

A Distant Temple Read More »

Ethel’s Bouquet

This is the fifth drink in The Alchemist’s Notebook, a series of original drink recipes. I post a new recipe every full moon.

When I first served this drink, my partner exclaimed, "It's like drinking an old lady's perfume - it sounds terrible, but it's really good!" 

There is something about the sweetness of the strawberry and the delicate floral scent of the black locust flower meeting up with the herbal complexities of the gin and nonino which makes the solid foundation of gentian's bitterness come across like it might be the base of a perfume...

I'm not doing a very good job of selling this drink, am I? But that is the point: it sounds terrible, but it's really good.

Ethel's Bouquet


1.5 oz gin
1.0 oz Salers gentian
.5 oz Nonino
.5 oz black locust flower simple syrup
.5 oz strawberry simple syrup

*black locust/strawberry flower simple syrup recipe:

Combine a strong handful of black locust flowers/strawberries with equal parts sugar and water in a saucepan and bring to a simmer. Stir until the sugar is fully dissolved, let cool, strain.

Salers gentian is the most readily available bottle of gentian liqueur where I live, and it is a wonderful bottle to have on the bar. The bitterness of gentian can make a solid foundation for a drink, shoring up the spirit and holding space for any ranger of other flavors you might have in mind.

Ethel’s Bouquet Read More »

Ground as Figure

© 2024 Matthew Word Bain, all rights reserved.
ghosts of times gone long before 
irrupt in the modern psyche
and seek new ground
for grazing

figures
take shape
become expression
as the ground itself obtrudes

mere marks on a chalkboard
first [an illegible scrawl]
then
erased
an attempt to suppress
what is rising
and now
on fields made fertile
by these underlying efforts
life emerges
real
ineluctable
the poetic image

This is the seventh pairing in Confluence, a series of poems written in response to original photographs.

I began writing these during the pandemic, using the pictures I was making at the time. I have continued this practice ever since, always writing in response to my most recent images.

I publish a new Confluence every new moon and every time the luminary dyad perfects a trine.

Ground as Figure Read More »

Red Light, Green Light

© 2023 Matthew Word Bain, all rights reserved.
Red Light, Green Light 

Or: How to Inhabit the Fourth Dimension
(an image from the winter solstice)


waiting all winter
for the new life of spring

boarded up

dreaming

still

you can see it, though, can't you?

the once bare branches now covered in green
obscuring the view of what was a vacant building
the smell of sawdust and the sound
of power tools filter through
the plywood windows

what at the start of winter
bore no sign of new growth
held within it all the same
the potential for change

the work of life resumes
as resources become available
whether by following existing paths
or by creating new ways where
before there were none

for that is the secret of life
which is not secret at all

life continues
in spirited disregard
for obstacles and the frustrations
of mere circumstance

just as a baby bird
needs to find its own way
out of the egg that encloses it
life thrives not only in spite of obstacle
but as a direct result of transcending the same

always dreaming itself into being,
life is always becoming
this inexhaustibly
new world

This is the sixth pairing in Confluence, a series of poems written in response to original photographs.

I began writing these during the pandemic, using the pictures I was making at the time. I have continued this practice ever since, always writing in response to my most recent images.

I publish a new Confluence every new moon and every time the luminary dyad perfects a trine.

Red Light, Green Light Read More »

Within

Within 

Sculpting in a chaotic corner
the parts that don't belong, must go

Free the work, the prisoner within.

As I chisel out the excess
the not-sculpture bits of stone

Like chains they fall away

I step back for a farther look
At form, slowly emerging

Where does it come from?

Monday, 27 July 2020

This is the fourth poem in Les Mots sans Images, a series of original poems.

I post a new poem every waning quarter moon.

Within Read More »

Tilt

© 2023 Matthew Word Bain, all rights reserved.
Tilt 

soften your gaze
looking down
at the sky
if you want to see
into its depths

piercing eyes only glance
off the surface

and will leave you

where you began:
the real world

magic there is impossible
unbelievable:
unreal

tilt your head
just right, though
and drop down
off of that high horse

the one bequeathed to you
the one fed on received opinion

maybe you will meet some
other world unknown
unimaginable
unavailable to you
until you enter frame

This is the fifth pairing in Confluence, a series of poems written in response to original photographs.

I began writing these during the pandemic, using the pictures I was making at the time. I have continued this practice ever since, always writing in response to my most recent images.

I publish a new Confluence every new moon and every time the luminary dyad perfects a trine.

Tilt Read More »

The Thorny Witch

This is the fourth drink in The Alchemist’s Notebook, a series of original drink recipes. I post a new recipe every full moon.

Strega takes to the sky on a broomstick of juniper, elevated by the sultry perfume of black locust blossoms wafting up on the breeze, while the air below is filled with the scent of fresh strawberries and oranges. 

The Thorny Witch

1.5 oz gin
1.0 oz Strega
.5 oz black locust
.5 oz strawberry simple syrup*
.125 oz orange bitters
garnish orange wheel

*strawberry simple syrup recipe:

Combine a handful of strawberries with equal parts sugar and water in a saucepan and bring to a simmer. Stir until the sugar is fully dissolved, let cool, strain.

Strega, Italian for witch, is an herbal liqueur from the ancient town of Benevento in northern Italy. Legends of witchcraft in the area date at least to the 13th century, and inspired the blend of herbs in this complex liqueur. Often proposed as an alternative to yellow Chartreuse, Strega nonetheless stands on its own merits as a fine and unique liqueur which is delightful alone and plays well with others.

Black Locust liqueur is an original invention and eventually I will supply a recipe for this bottle in case you would like to make your own. In the interim, any floral liqueur is worth trying as a substitute: crême de violette, elder flower, rose, lavender, chamomile, etc.

The Thorny Witch Read More »